The Ultimate North Shore Dream in Blue Crush
If you want to feel the rush, you have to take the risk.
Newly Rich (1931)
Two small town widows bring their children to Hollywood, where their children become competing film stars. The girl is sweet, the boy is a killjoy sissy. For publicity, the rival families go to London to meet a middle European boy King. The three kids decide they need to escape their stifling lives and run away to the docks and join a gang.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Two small town widows bring their children to Hollywood, where their children become competing film stars. The girl is sweet, the boy is a killjoy sissy. For publicity, the rival families go to London to meet a middle European boy King. The three kids decide they need to escape their stifling lives and run away to the docks and join a gang.
Rating:
Genre:Comedy, Family, Adventure
Written By:Joseph L. Mankiewicz, Sinclair Lewis, Agnes Brand Leahy, Edward E. Paramore Jr.
In Theaters:7/4/1931
Box Office:
Runtime:77 minutes
Studio:Paramount Pictures
Articles You May Like
Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Wake Up in the Mornin’ and Stumble Towards Acceptance with Dumplin' (2018)- Movie Review
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
'In the Heights' is the Gold Standard for Movie-Musicals
TIFF ‘22 Coverage: ‘The Fablemans’
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
Deep Cover: fun, but not that deep
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.