Sidney is a warm and deeply quixotic man who sends his lost love a plane ticket to New York along with a letter asking her to meet him at the top of the Empire State Building. With a vintage Polaroid camera in hand, he takes to the New York streets, stopping occasionally at tourist attractions and coffee shops. Along the way, he unexpectedly meets a distraught woman who left her boyfriend that very morning after discovering that he had been unfaithful. Like Sidney, she too is drifting around Manhattan, as she waits for a flight to take her back to San Francisco.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
