Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Yeh's directorial debut film pays tribute to the golden years of Taiwanese-dialect films in the 1960s.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
How do zombie films shine new light in the post-Covid and post-Brexit era?
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.