
Manila, 2009. Thirteen-year-old Gino passes his time through television and phone games—until he discovers his father's stash of adult DVDs. When he catches sight of his father flirting with a bar girl in a seedy karaoke joint, Gino begins to question his father's authority and morality. But it's through an unexpected bond through catfishing Giliw, a trans woman from the same nightlife underworld, using his father’s identity, that Gino slowly confronts his longings, boundaries, and the tender confusion of growing up.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
This is a film that is going to leave some people bored, and some people thrilled.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.