Avatar: The Last Airbender Both Protests and Embodies Colonialism
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.

The film weaves together three stories: colorful boxing coach and ex-drill sergeant Sal Bartolo Jr., son of a renowned 1940s East Boston boxing champ; Naomi Yang herself, learning boxing from trainer Bartolo and reexamining some of her own family’s disturbing history; and schoolteacher Mary Ellen Welch, who in the 1960s mobilized a group of neighborhood women against encroachment from Logan airport, fighting back against an indifferent city government. None of these protagonists are destined to win the Big Fight, but all offer inspiration to anyone determined to stand up for themselves and hold their ground.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
A sweet, singalong distraction with several positive messages.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.