'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

It is a light and amusing story about Nemesio, a small time drug dealer who has never managed to get away from his mother or his childhood traumas, and carries on his back the stigma of a born loser. This he struggles to overcome, but finds it impossible. By intent or otherwise, Nesio becomes involved in a homicide and an impossible love with a masked woman wrestler. All of this framed by downtown Mexico City.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.