Nerone '71 

In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.

In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.

This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.

It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.

With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.