“Supergirl” is like, fine, or whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

Neo-fascists are chanting their slogans louder and louder in the squares and streets of Italy from north to south. The electoral victory of politician Giorgia Meloni of the right-wing Fratelli d'Italia party, whose flag bears the flame symbol in honor of Benito Mussolini, and her post-fascist government have given them a boost. A hundred years after the Duce seized power, the word fascist is becoming socially acceptable again. Among many young people in Italy, being far right is considered cool. The identitarian movement "Fortress Europe" attracts them in droves. Fascism nostalgists make pilgrimages to Mussolini's tomb and hold rallies. Right-wing rock concerts but also intellectual "meetings for tradition and identity" form the ideology. A constant support is the ultra-fan scene of the football clubs. The documentary illuminates the facets of neo-fascism in Italy, lets activists have their say, but also a journalist who has been writing about the neo-fascist scene for 20 years.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.