
Mariana is a young woman from the interior of Minas Gerais who leaves for Rio de Janeiro in search of a man who seduced her and got her pregnant. But the rascal man gave her the false address, with only a photo as a reference. Staying at an uncle's house, she is faced with the difficulties of living in the big city, seeing that finding her husband in Rio is like looking for a needle in a haystack.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.