The Polish government issued a burial fund to the relatives of any deceased citizen. Now the undertakers of Lodz in Poland have figured out a way to lay their greedy hands on those funds. By paying ambulance drivers to get the information where the unfortunate relatives live, they went there with contracts to get the relatives to sign over the burial funds to the undertakers. The idea was that while the relatives was still struck with grief and sorrow, they wouldn't want to read through a thick contract and just sign it instead. Things really went ugly when the ambulance drivers figured out that they would make more money if more people died.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
