Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A montage dedicated to friends, actors and companions who have passed away over the years: from Francesco Tirone to Paviglianiti, two leading figures in the famous Cinico TV series, from Tommaso Lauria to Carmelo Bene. This journey down memory lane (and through pain), created especially for Fuori Orario, was broadcast on the night of Ferragosto.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
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With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.