A communication firm's personal narrator project goes off the rails when a strange transmittable anomaly forces the narrators to reveal publicly their clients deepest insecurities.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.
