Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.
Jean Renoir
Director
Catherine Hessling
Nana
Pierre Lestringuez
Bordenave
Jacqueline Forzane
Countess Sabine Muffat
Werner Krauss
Count Muffat
Jean Angelo
Count de Vandeuvres
Raymond Guérin-Catelain
Georges Hugon
Claude Autant-Lara
Fauchery
Pierre Champagne
Hector de la Faloise
Karl Harbacher
Francis
Valeska Gert
Zoe
Jacqueline Ford
Rose Mignon
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.