Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Namas Dei: The Tucker J. James Story poster

Namas Dei: The Tucker J. James Story (2025)

A clueless wannabe movie star moves to LA and goes viral for all the wrong reasons, only to evolve into a slightly less terrible version of himself. #blessed
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A clueless wannabe movie star moves to LA and goes viral for all the wrong reasons, only to evolve into a slightly less terrible version of himself. #blessed

Rating:
Genre:Comedy
Directed By:Yannis Zafeiriou
Written By:Josh Allen Goldman, Yannis Zafeiriou
In Theaters:9/25/2025
Box Office:

Runtime:100 minutes
Studio:Flying Penguin Productions

Articles You May Like


'Grave of the Fireflies' is a Brutal, Heartbreaking Story of War

What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.

Marisa Jones

Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses