Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Naked Woman poster

Naked Woman 

Gwang-ho retires as the principal of an elementary school in the Chungcheong province. In the past, he'd married the beautiful and young Yeon-ha. He came to the village and became the object of envy for the villagers. After the Korean War erupted, Gwang-ho went to Seoul for the school principals meeting. But when he returned, his school had changed into a clinic for the wounded soldiers of North Korean army and Yeon-ha had been dragged by communist soldiers and sexually abused. Yeon-ha was permitted to work as the cook for injured soldiers. After the enemy retreated, Yeon-ha appeared before Gwang-ho, who'd been wounded in battle, and committed suicide as a psychologically shattered woman.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Gwang-ho retires as the principal of an elementary school in the Chungcheong province. In the past, he'd married the beautiful and young Yeon-ha. He came to the village and became the object of envy for the villagers. After the Korean War erupted, Gwang-ho went to Seoul for the school principals meeting. But when he returned, his school had changed into a clinic for the wounded soldiers of North Korean army and Yeon-ha had been dragged by communist soldiers and sexually abused. Yeon-ha was permitted to work as the cook for injured soldiers. After the enemy retreated, Yeon-ha appeared before Gwang-ho, who'd been wounded in battle, and committed suicide as a psychologically shattered woman.

Rating:
Genre:Drama
Directed By:Park Ho-tae
Written By:Park Cheol-min
In Theaters:
Box Office:

Runtime:107 minutes
Studio:

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik