Gwang-ho retires as the principal of an elementary school in the Chungcheong province. In the past, he'd married the beautiful and young Yeon-ha. He came to the village and became the object of envy for the villagers. After the Korean War erupted, Gwang-ho went to Seoul for the school principals meeting. But when he returned, his school had changed into a clinic for the wounded soldiers of North Korean army and Yeon-ha had been dragged by communist soldiers and sexually abused. Yeon-ha was permitted to work as the cook for injured soldiers. After the enemy retreated, Yeon-ha appeared before Gwang-ho, who'd been wounded in battle, and committed suicide as a psychologically shattered woman.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
