Michelle Payne Learns How to 'Ride Like a Girl'
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.

Awkward teen Lucy escapes dull suburbia and archaic gender constraints when she’s thrown into the absurd world of the buff and brilliant builder Louisa at ‘Nails & Beauty’. This is the alternative beauty salon where Louisa and her assistants perform unconventional beauty makeover treatments involving power tools, cement baths, and unique builders-tea ‘hot-stone’ therapies. Through a revelatory transformation à la Louisa, Lucy discovers a new mode of womanhood and a space where she belongs.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.