Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Nails & Beauty poster

Nails & Beauty 

Awkward teen Lucy escapes dull suburbia and archaic gender constraints when she’s thrown into the absurd world of the buff and brilliant builder Louisa at ‘Nails & Beauty’. This is the alternative beauty salon where Louisa and her assistants perform unconventional beauty makeover treatments involving power tools, cement baths, and unique builders-tea ‘hot-stone’ therapies. Through a revelatory transformation à la Louisa, Lucy discovers a new mode of womanhood and a space where she belongs.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Awkward teen Lucy escapes dull suburbia and archaic gender constraints when she’s thrown into the absurd world of the buff and brilliant builder Louisa at ‘Nails & Beauty’. This is the alternative beauty salon where Louisa and her assistants perform unconventional beauty makeover treatments involving power tools, cement baths, and unique builders-tea ‘hot-stone’ therapies. Through a revelatory transformation à la Louisa, Lucy discovers a new mode of womanhood and a space where she belongs.

Rating:
Genre:Comedy
Directed By:Rhona Foster
Written By:Rhona Foster
In Theaters:
Box Office:

Runtime:10 minutes
Studio:

Articles You May Like


Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses