Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Nagin poster

Nagin 

Two Adivasi tribes are in conflict for the local economic rights. The daughter of the Nagi tribe's chief, Mala (Vyjayanthimala) vows to kill the son of the Ragi tribe's chief, Sanatan (Pradeep Kumar) as revenge. Trespassing the enemy territory, she is mesmerized by music of a flute (played by the musician Kalyanji Virji Shah). Coming closer, she finds out that the singer is Sanatan. They fall in love, but find it difficult to appease the enmity between the two tribes and to resist the attempts of the villain Prabir (Jeevan) to marry Mala.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Two Adivasi tribes are in conflict for the local economic rights. The daughter of the Nagi tribe's chief, Mala (Vyjayanthimala) vows to kill the son of the Ragi tribe's chief, Sanatan (Pradeep Kumar) as revenge. Trespassing the enemy territory, she is mesmerized by music of a flute (played by the musician Kalyanji Virji Shah). Coming closer, she finds out that the singer is Sanatan. They fall in love, but find it difficult to appease the enmity between the two tribes and to resist the attempts of the villain Prabir (Jeevan) to marry Mala.

Rating:
Genre:Drama, Music, Romance
Directed By:Nandwal Jaswantlal
Written By:Hameed Bhutt
In Theaters:
Box Office:

Runtime:139 minutes
Studio:Filmistan Studios

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger