"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Three years after the defeat of Gargoyle and Neo-Atlantis, a new threat has surfaced bent on bringing the world under his control. Geiger, using advanced robot technology, is attempting to begin a world war, and take control of the devistated world after the destruction has stopped. Once again, Nadia and Jean must fight to save the world, only this time from itself.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
This holiday movie serves as the prequel to the TV series The Really Loud House.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.