Nada Mais 

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.

A fun-loving story focused on surviving middle school and tailor-made for its target audience. "The Diary of a Wimpy Kid" follows the paradox of finding true friendship and securing popularity no matter what it takes.

Minus Zero is better than the previous film in some ways, and inferior in other ways.