Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Suraj (Sanjay Dutt), a police inspector, grew up in a wealthy family headed by his police inspector father, Sangram (Shashi Kapoor), but when his sister's wedding falls apart due to Sangram's refusal to remove his brother from the house, Suraj confronts some family skeletons. Soon Suraj finds himself arrested for murder, and the woman he loves, Vanisha (Amrita Singh), may be implicated in this action-packed thriller from India.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.