Garden of an Angry God: when the nightmare of guilt crawls out to the daily life
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.

In Germany, the forest is more than the sum of its trees: it is a myth, the backdrop to a grand German drama. When one looks at German cultural history, it is easy to recognize the forest as a recurring theme—and as a topos to which people repeatedly returned in their search for a national identity. German culture, it is said, has its roots in the forest, at least since Germanic warriors defeated the Romans in the Battle of Varus. During the Romantic era, the forest became a place of longing; it was painted, written about in poetry, and celebrated in song—and at the same time, it once again became a symbol of national sovereignty. The Nazis exploited it for their racist ideology—and the “homeland films” of postwar German cinema used it to portray their idealized vision of an unspoiled world. The environmental movement of the 1980s feared for its national sanctuary during the debate on forest dieback—and activists lived in the highest treetops to protect trees from being cut down.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
This Agni Kai looks cool and is funny as well!
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.