Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

A team of filmmakers travels around Lithuania’s summer festivals – from Midsummer’s Day and Assumption Day to the first day of September, which marks the end of summer – capturing short, playful moments of their journey on 16 mm film. By asking people they meet about miracles, faith, childhood, and memories, the filmmakers unexpectedly reveal hidden stories and sensitive confessions.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.