Underwhelming Presence
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

The Polish woman Wanda, 35, looks after Joseph, 70, in his family villa by the lake. She is there for him around the clock and also helps his wife Elsa, 75. The youngest son Gregi, 28, likes her very much. The work is poorly paid, but Wanda needs the money for her own family in Poland. Since everyone lives under one roof, Wanda gets an intimate view of their family life. So intimate that Wanda unexpectedly becomes pregnant.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.