
As a result of Saleh's preoccupation with his work, his wife Aida suffers from loneliness. She turns to watching films and starts impersonating the characters of the heroines she sees in the films, which gets her husband into many troubles and with the help of his friends he tries to make her stop.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.