In the early days of the Republic, legendary martial artist Ye Ruzhou suffers a severe injury, losing her memory and winding up in the impoverished alley of Minfu Lane. By a twist of fate, she crosses paths with the carefree Chen Awang, and the two fall for each other. When local tyrant Zheng Juehou intensifies his hold over the neighborhood, Ye Ruzhou rises to defend her new community. Her actions, however, draw unforeseen danger, and together with Chen Awang, she faces the challenge to protect Minfu Lane’s hard-won peace.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
