An intimate 7-year journey of a family struggling to overcome past wounds of reverse migration (from Canada to Korea) begins when the director's little sister decides to be an un-wed single mom. The little sister decides to raise the child in Canada as she never felt welcome in her parent's homeland, South Korea. The lives of parents, intertwined with Korea's modern history is revealed, while family members try to come together to face the challenges of raising a new baby outside of the traditional family form. What starts out as the director's personal journey of re-discovering the lives of family members and self, evolves into broader themes of cultural differences, identity, and belonging.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
A world of expansion awaits.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
