
The film is set in a Turkmen village in the early years of collectivization. With the arrival of the new regime, much has changed. The film's protagonist, Ataniyaz, is overcome with agonizing doubts about what to do next. Bahram Khan, who has arrived from abroad, suggests that Ataniyaz take all his wealth and leave the country. But moving flocks of sheep is no easy task: it requires loyal shepherds. Now Ataniyaz-bai pins all his hopes on the young shepherd Kerim, who is passionately in love with his daughter, Ziba.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.