Wake Up, Dead Man (Everyone's Included Until Somebody Gets Stabbed)
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.

Rattled by the prospect of becoming a dad, a 40-year-old filmmaker begins to consider what "manhood" really means for him, prompting him to pursue an array of interests and reexamine his views -- which were shaped by his father.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
An adaptation of the book series ‘The Knife Of Never Letting Go’.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
Bigg County Restorations is a zany new pilot from comedians Joe Bell and Mikaela Watkins. In a spot-on parody of History Channel shows like American Restoration and Pawn Stars, Paul Bigg (John Jezior) works to restore kitschy decor for celebrities while his good-for-nothing adult children, Britney (Mikaela Watkins) and Junior (Joe Bell) go on wacky adventures while slacking off on the menial tasks they’ve been assigned. In the pilot, Britney and Mikaela’s day goes off the rails pretty fast.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.