Based on author's childhood memories of the devastating 1988 Spitak earthquake. The father and his two young kids are left without a home and above all, the disaster had claimed the life of their beloved mother and wife. After painful quest to find her body and give her a proper burial, by the new year's eve the family is settled in a makeshift home near the wreckage of their home. While his daughter and son are still playing and merging the disaster into their games, the father for the sake of his children struggles to find strength and heart to live on.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
