Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.

A film from the skater world of São Paulo, where it is women who call the shots. Bagdá is surrounded by self-confident role models in her family. However, outside on the streets, in the venues and clubs, the old machismo continues to dominate. Bagdá and her fellow comrades-in-arms confront it defiantly.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
A young girl named Hailey Mays sings a country song that is named after the film's title.