Trauma Personified: 2018's "Citizen Rose"
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.

In My Mother Resents Me, Victoria Linares Villegas wonders if her mother has always been a sad person, and works towards an understanding of her own relationship to her that draws on old photographs and new discoveries – an exploration that takes the artist back to the Dominican Republic’s former dictatorship, and the idea that anxiety, solitude and sorrow can persist through generations.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.