'Stargirl' Shows Self Expression Among Teenagers
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.

Four war-veterans, from different sides, step onto a boat at the mouth of the Kwando river, deep within the African interior. They are on a journey back to the battlefield, the site of the last "great" battle of the Cold War - its inconclusive and a very secret Armageddon, where they as youngsters, once tried to kill each other. But now, twenty years later, they've come together as former enemies, a new unit of disparate souls joined together not only by the common haunting of war trauma, but also by their need to understand, to reconcile, to forgive.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
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Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.