Kurosawa’s ‘Ikiru’ Comes Back to Life in ‘Living’
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.

In 2022, for the first time in the history of the Venice Biennale, Italy will be represented by a single artist: Gian Maria Tosatti. Since 2018 Tosatti has concentrated all his practice on a project entitled "My Heart is a Void, the Void is a Mirror", an episodic visual novel, developed around the world with the aim of witnessing the state of crisis of democracy in the West. The Odessa Episode - which follows the stages of Catania, Riga and Cape Town - is the installation developed by the artist after a long period spent in Ukraine, in the most dramatic moment of the Covid-19 emergency, when the country was closed to foreigners. The film recounts the efforts made to carry out a powerfully visionary work in those difficult months.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
For football fans, this sports movie will show viewers the bonding between father and son as the son prepares for his big game.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.