Beautiful "Materialists" Can't Quite Find Its Footing
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.

Geneviève, ruined and destitute, visits a former servant working for a count who is absent for the moment. He offers Geneviève the bed of the count, who returns unexpectedly. After some adventures, the count passes Geneviève off as his sister, then marries this young girl he so curiously met.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.