Happy Gilmore 2—Fun Romp with Poignant Themes
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time

"I interview my great-uncle Jose Elias Awad about his Berlin years (late 50's to late 60's), when he was finishing his doctorate in Economics at the Humboldt University in East Berlin. General Secretary of the Colombian Communist Party at the time, Jose Elias married Esther Bloss and on the day of their wedding in the Sudeten he left to help build the Berlin Wall. He told off Che for not having read Marx, hung out with Tamara Bunke and advised against the rise up in arms of the newly founded guerrilla group ELN (National Liberation Army) in Colombia. In 1968 he returned to Colombia after being expelled from the Party, and grew apart from his children, because of geographical distance and political ideology." - Juana Awad
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
American Fiction is a genuinely entertaining film with a few lessons.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.