
Based on a notorious Belgian court case, My Friend, or The Hidden Life of Jules Depraeter follows Jules Depraeter, a charming but manipulative businessman from Ghent who becomes entangled in robbery, fraud and conspiracy. When police discover stolen jewels and securities in the trunk of a garage owner linked to him, a complex investigation unfolds. During the trial, Depraeter attempts to save himself by accusing a respected investigating judge of masterminding the crimes and plotting the murder of his own wife. Told through courtroom scenes and flashbacks, the film gradually reveals a web of lies, corruption and psychological manipulation.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.