Miles, a particularly playful spirit, lures his friend Solta on a journey from Berlin to Friuli, Picardy and Venice, through his life, through the minefields of identity politics, and through the black hole of our oblivion as to what the world could be. Ultimately, he returns to Ireland, the land of his childhood, where he played marbles during the raw identity war of the troubles. Solta tries to track him down, to figure him out, to picture him. Miles, however, marbles in his pockets, infinity in his fingers, constantly eludes him.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
'Jaded' is a film that focuses on the decisions that can derail our lives. Zanna's story takes you through a wide range of emotions.
A family comedy that combines fantasy and normal school life.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
