My Father, the Spy 

Emily and Stephanie are back... just add gin and drama.

It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.

In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary