"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
My Coarsening (2023)
Serial scenes of similitude and difference are appended together like beads on a string. The artist stares into the mostly dark, quasi-modernist, light-punctuated abstractions that bracket subway platforms in New York; a children's choir sings Für Elise over a rotating merry go round in which horses are replaced by physicalized versions of kids' drawings; a series of drawings is triggered by a barking dog, alternating between figuration and abstraction, showing a discontinuous subject, blinking in and out of existence, intermittently obliterated and reconstituted by glyphs, trace marks, and asemic writing.
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Serial scenes of similitude and difference are appended together like beads on a string. The artist stares into the mostly dark, quasi-modernist, light-punctuated abstractions that bracket subway platforms in New York; a children's choir sings Für Elise over a rotating merry go round in which horses are replaced by physicalized versions of kids' drawings; a series of drawings is triggered by a barking dog, alternating between figuration and abstraction, showing a discontinuous subject, blinking in and out of existence, intermittently obliterated and reconstituted by glyphs, trace marks, and asemic writing.
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In Theaters:10/7/2023
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Runtime:21 minutes
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