“Digger” or, How I Learned to Stop Worrying and Love the Way You Lie
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.

A Polytechnic student, Thanasis, shortly after the death of his mother, moves into the house of his forty-five-year-old brother Petros, who still lives in the atmosphere of the 60s. A former Polytechnic student, he too had formed a rock band with his friends, a group that they still try to keep alive in their free time. Thanasis sees on the doorstep of the house a woman who looks a lot like Eleni, his brother's former girlfriend. He watches her intently and realizes that it is indeed Eleni. She has come from abroad to attend a regular meeting of the old company, which no one seems to remember anymore.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.
Wolverine carries Deadpool - literally and figuratively
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.