Why Pit 'Alien' Against 'Aliens' When Ripley is Great in Both?
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

Audrey is a typical music student at a large Midwestern college, interested in pursuing a career in classical music. Her apparent "normalcy," however, makes her something of a misfit in her family, made up as it is by a group of outrageous performers. Audrey's parents were funk/ R& B stars in the 1970s, while her brother currently reigns supreme on the hip hop and fashion scene, and her precocious little sister is a streetsmart MC in the manner of Lil' Kim. Audrey finds this family tree a little embarrassing, and is somewhat disdainful of the ego and trappings of pop culture entertainment, so she hides her clan from her new boyfriend. This unfortunately becomes a bit difficult to maintain when the family shows up for a visit. The campus will never be the same again!
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.