All Hail The Queen of Basketball, May She Reign in Peace...and Win An Oscar
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics

Manuel La Tessa, son of a wealthy South American family, meets Natalie Chester, a young Kentucky woman whose horse has won a race at a South American track. Manuel gives a party in her honor, where she is insulted by one of the guests. Manuel knocks down the offender. The offender, whose father is a powerful figure in the country's politics, challenges Manuel to a duel, but also hires a man to hide in ambush and kill his opponent. Manuel is only wounded and Natalie nurses him back to health. Natalie loves Manuel and seeks to uncover the mystery of the bullet fired at him during the duel. A lost film.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
A dynamic journey of self-acceptance and identity.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction