Space Force: Netflix’s Series is Just as Unnecessary as the Real Thing
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force

Many years after its initial 1984 release, The Mutilator is being remade. A wrap party has been scheduled for the night following the final day of shooting. Cast members of the original film have been invited, and everyone is excited. Unfortunately, they are besieged by an unknown killer who favours the use of the same or similarly-flavoured nautical implements of death as used by Big Ed, the original grief-crazed Mutilator maniac.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.