'Concerto For Humanity': The Eras We Live In
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.

Ashley is in his late-twenties, Holly is in her early-twenties. They're both very much lost in their individual quarter-life crises. Ashley quit his job to travel in search of clarity. He ventures to his childhood home with plans of breaking-and-entering for the nostalgic rush. Along the way he meets Holly, who, after a short-lived relationship with her restaurant manager, also finds herself jobless and aimless. The film chronicles Holly and Ashley's brief, odd, hysterical commiseration as grown-up children stumbling through life's final bout of growing pains.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.