'Godzilla vs. Kong' : Yes, I'm Still Team Kong
The latest MonsterVerse film delivers everything it promised.

Celal, 30ish year old writer at a magazine. He is fond of beautiful girls. After getting busted by his girlfriend with another girl,he kicked out from their apartment. He searches for a place to stay and searches a place to stay. He stops by an old, ruined house for a room for rent. He checks the room, he revolts from the mess. While leaving the house, he sees a beautiful girl is living next door... He changes his mind and hires the room. Unaware of strange things will happen in the house.
The latest MonsterVerse film delivers everything it promised.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
The Lego Movie achieves great humor and story with a combination of childish comedy, adult references, irony, and by subverting popular movie tropes.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.