Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Like those famed tornado chasers, filmmaker Christian Anthony pursued art rock heavies OXBOW through five countries, two fistfights and a treasure trove of shows to come back with a document that is all at once profane, dangerous, funny, rage-inducing, and finally the most succinct take on artistic obscurity that has graced a screen in recent memory. Like the anit-Pennebaker, Anthony scores with a film that no one will care about, about a band no one cares about, for an experience that everyone will care about.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
David Fincher is back in his playpen, with a dark and chilling thriller.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.