Here Comes a 'Spirited' Christmas
Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.

Agatha Christie’s agents propose that it’s time for her to publish the manuscript she wrote thirty-five years earlier, a novel in which she finally kills off her most famous creation. And it’s not an entirely sad occasion. “That wretched little man,” she says. “He’s always been so much trouble. How is it Miss Marple has never upset me at all, not ever?” That night, who should appear at her doorstep but the wretched little man himself, Hercule Poirot? The great fictional detective and his creator proceed to play a very Christie-like game of cat and mouse for the manuscript – and for their own lives.
Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.