Story about friendship that goes through various stages and hurdles. Bobby, Marsel and Georgi are boys who follow their dream of becoming famous rappers. But the path they have to walk to the desired goal is strewn with many difficulties, disappointments, betrayals and love. The paths of the characters are separated in time. After the death of his father, who is an investigative police officer and is believed to have been killed by order of an influential mobster, Georgi decides to give up his child's dream of being a rapper and enters the Bulgarian police with intentions to find the responsible criminal for the death of his father. While Marcsel and Bobby continue their pursuit of becoming rappers, they enter the underworld and start working for Ljubo Kokala, who gets them into very serious trouble.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
Emily and Stephanie are back... just add gin and drama.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
