“Birds of Prey” and the Fantabulous Emancipation from the DCEU
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.

Documentary covering the case of Mumia Abu-Jamal, a black nationalist and journalist in Philadelphia, Pennsylvania, convicted of killing a Philadelphia police officer and sentenced to death in a trial marked by controversial prosecutorial and defense tactics and charges of racism.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
La Bola Negra is an achievement worth praising and worth seeing.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Spoiler Warning