Sivagnanam is a humble bank clerk, living a modest life with his wife Lakshmi and their children. Although his salary is low, he handles large sums of money at the bank. When the bank collapses, Sivagnanam loses his job and, feeling desperate, considers suicide so that his family can benefit from his life insurance. However, his soul reaches the court of Yama, the god of death. Angered by his reckless act, Yama sends him back to Earth to witness the consequences of his death. Unable to intervene, Sivagnanam watches as his son is arrested for stealing food, his daughter is assaulted, and his wife, after killing the rapist, drowns herself in a well.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
